But, finding the cellar-door open, concluded he had got out that way. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. "You hay'n't hurt your arm, I trust, my dear?" he added, anxiously.
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